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PHOENIX

Sunday of Mary Most Holy Mother of God (01/01/2023)

A SUNDAY IN SEPTEMBER IN 1944

In this Feast dedicated to Peace, it may seem inappropriate to talk about a war that hit our Abbey hard…

Instead, it is certainly meaningless who has unleashed a war just beyond the eastern borders of our central Europe, causing mourning, pain and destruction not many thousands of kilometers from the door of our house.

The explosions of this cruel war in Ukraine are casting flashes that help us to grasp some reflections of what happened to us about eighty years ago, on an ordinary Sunday in September 1944.

The monastic community of Finalpia was engaged in the Sanctuary (under the watchful eye of the Blessed Santa Maria di Pia, who for centuries has been looked upon as the true Lady of the Marquisate of Finale), when an allied plane dropped two bombs which fell into the garden, about ten meters from the east wing of the Abbey.

The target was not us, but the nearby bridges (the medieval one and above all the railway one), their damage would have caused serious problems to the Nazi-fascist Axis troops in Liguria.

The explosion was so great that two palm trees that stood where the two bombs had fallen were uprooted and even ended up on the roof of the monastery kitchen.

The perimeter walls of the building held, but a real upheaval occurred inside.

The interiors of all the rooms on the east side collapsed, from number 9 to the south facade of the building.

The collapse also involved the reception hall below and the entire Staircase area.

Sunday of the Baptism of the Lord (08/01/2023)

This Sunday we have the opportunity to continue talking about the effects of the bombing of the Abbey, which took place in September 1944.

The floor of the long corridor on the 1st floor did not give way, while in some walls of the rooms on its west side (in particular in the monastic chapel) only cracks appeared, which were immediately and easily remedied by Don Leandro Montini himself (who had finished painting the Monastic Chapel as soon as 1943): he did so because there were no signs at all that the stability of the premises had been compromised.

The two photographs taken after the bombing reveal only a few cracks in the walls of little importance.

These two photos show us the interior furnishings of the monastic chapel: those modest benches for the use of praying monks, not only speak to us of the war economy, but of a lifestyle that speaks volumes to us today's monks. .

The undersigned has seen the photo of part of the long corridor on the first floor, taken immediately after the bombing: it was all a pile of rubble from which the splintered sections of the beams of what had once been the roof were protruding.

The photo had been taken from the unharmed part of the same corridor, with the lens aimed at the large window (or what remained of it).

(Let's hope that this photo hasn't been permanently lost and sooner or later it pops up).

2nd Sunday of Ordinary Time (January 15, 2023)

Let's go back to talking about the effects of the bombing that affected the Abbey in September 1944.

The roof of the east side of the corridor, that above chambers No. 9 to the large window of the south facade of the Abbey, did not collapse completely and managed to conceal the disaster that had occurred below. We see in the photo on the left, a glimpse of this battered roof.

As soon as possible, the restoration and rebuilding of the collapsed parts began, without however compromising the regularity of the rhythm of monastic life.

For this purpose a temporary wall was placed, made with wooden planks and cardboard, which isolated the monks community from the team of workers engaged in the restoration.

In this recent photograph of the corridor, a reddish line indicates the point where the temporary wall in question had been placed: it was between rooms VII and VIII.

This last room (VIII) still retains, inside, the vaulted ceiling, originally from the sixteenth century. From room IX to the large window at the end of the corridor, the rooms now have only ordinary ceilings (squared and flat), as is normally used even today.

An observation that may be of interest.

The window pane of the corridor, which can be glimpsed in the photo - in the foreground - at the top, roughly at the height of room VII, is still splayed, as was the custom in 1500. The remaining window panes, up to the end of the corridor ( both those on the right and on the left) are no longer splayed, but perfectly squared (power and banality of the concrete, generously used in the restoration).

The partition was removed only after the restoration work was completed.